wbD wn÷wiwmRg I KvjPvivj g¨v‡UwiqvwjRg:
Avaywb‡KvËi cV‡bi m~Îvejx
wek kZ‡Ki HwZn¨evnx mgv‡jvPbv avivi GK we‡kl cÖeYZv n‡jv wew”Qbœfv‡e †UK÷‡K we‡ePbv Kiv| wKš‘ me©`vB Avevi HwZnvwmK cwi‡cÖw¶‡Zi Av‡jv‡K †UK÷‡K wePvi Kivi GK mgvb kw³kvjx cÖeYZv we`¨gvb †_‡K‡Q| `„óvš—¯^iƒc, †kK&mcxqi, †¯úbmvi Ges Wv‡bi hy‡Mi Ici M‡elYv Ki‡Z AvMÖnx AwaKvsk QvÎ Aek¨B c‡o‡Q E.M.W. Tillyard-Gi The Elizabethan World Picture (1943) †hLv‡b †jLK GwjRv‡e_xq hy‡M wPwÎZ wek¦ msweavb m¤ú‡K© AZ¨š— mvaviY a¨vb-avibv¸‡jv D‡jL I e¨vL¨v Kivi D‡`¨vM wb‡q‡Qb| AZ¨š— †eva‡hvM¨ Dcv‡q wUwjqvW© gnvRvMwZK wek¦-k„•Ljvi wPÎ Dc¯’vcb K‡i‡Qb, hv gvbweK cÖwZôvbmg~n Ges cÖvK…wZK cÖcÂmg~n Dfq‡KB wbqš¿Y K‡i‡Q| †mB mgqKvi mvwnwZ¨K †UK÷¸‡jv‡K †mB k„•Ljv-aviYvi cÖKvk wn‡k‡e †`Lv †M‡Q|1
wbD wn÷wiwm÷ivI GB †i‡bmuv hy‡Mi w`‡K bRi w`‡q‡Qb| wKš‘ wUwjqvW© †hLv‡b †`‡L‡Qb k„•Ljv, Zuviv †mLv‡b †`‡L‡Qb wek„•Ljv, cv_©K¨ I wefvRb| Zuviv kbv³ K‡ib †h, wUwjqv‡W©i wek¦-`k©‡b bvix wKsev `wi`ª‡`i Ges AwaKvi-ewÂZ bvMwiK‡`i AwfÁZvi †Kv‡bv D‡jL †bB| wbD wn÷wiwm÷iv G hy‡M †`‡L‡Qb k„•Ljv‡K wN‡i _vKv D‡ØM, AwbðqZv, weev` Avi bvkKZvg~jK ZrciZv| AZGe, wbD wn÷wiwmRg GKwU hy‡Mi mvwnZ¨ I BwZnvm cybc©vV K‡i Ges GKwU Acwinvh©fv‡e m½wZc~Y© j¶‡K Am½wZ I hyw³i avibvi Øviv ¯’vbPz¨Z K‡i| Avi †mKvi‡YB wbD wn÷wiwmRg mvwnZ¨Kg©‡K Zvi HwZnvwmK Ges ivR‰bwZK cwi‡cÖw¶‡Z wePvi Kievi GKwU cybi“¾xweZ, AvMÖnc~Y©, mgv‡jvPbv Av‡›`vjb wn‡k‡e cwiMwYZ nq| wbD wn÷wiwmR‡gi †K‡›`ª Av‡Q †mB ¯^xK…wZ †h, G‡¶‡Î cwiPvwjZ Z`š— welqgyLx bq Ges AZx‡Zi cÖwZ Avgv‡`i AvMÖ‡ni cÖK…wZ eZ©gv‡bi mv‡_ Avgv‡`i RwoZ _vKvi Øviv cwiPvwjZ nq|2
wbD wn÷wiwm÷‡`i R‡b¨ BwZnvm ZvwiL wKsev e‡ov NUbvi e¨vcvi bq; eis ivRbxwZ, Av`k©, ¶gZv, KZ…©Z¡ Ges bvkKZvi e¨vcvi| Aek¨ G‡¶‡Î gvwK©b I weªwUk iPbvi †fZ‡i cv_©K¨ i‡q‡Q| gvwK©b mgv‡jvP‡Kiv †UK÷‡K †Muvov Av`wk©K Ae¯’vb cÖKvkKvix wn‡k‡e †`L‡Z Pvb Ges weªwUk mgv‡jvPKe„›` †UK÷‡K KZ…©c‡¶i wei“‡× cÖwZev` cÖKvkKvix wn‡k‡e †`L‡Z Pvb| wbD wn÷wiwmRg (new historicism) AwfavwU mvwnZ¨ cvV I mvwnZ¨ Z‡Ë¡i RM‡Z GKwU A‡c¶vK…Z bZzb Awfav| Aek¨ Gi Abykxjb Ab¨ bv‡gI ewY©Z n‡q‡Q| †hgb, HwZnvwmK c×wZ (historical method)| wewfbœ ai‡bi HwZnvwmK c×wZ i‡q‡Q| †hgb, gvK©mev`x mgv‡jvPbvf‚³ HwZnvwmK c×wZ Ges RvD‡mi wi‡mckb w_Iix| mvaviYfv‡e, HwZnvwmK c×wZ mvwnwZ¨K †UK‡÷i AZxw›`ªq wKsev ¯^vaxb bv›`wbK g~j¨ †NvlYvq AvMÖnx bq| GK_v wbwðZfv‡e ejv †h‡Z cv‡i †h, wbD wn÷wiwm÷iv wewfbœ mvwnwZ¨K G¨v‡cÖvP wn‡k‡e bqv mgv‡jvPbvi weï× AvbyôvwbKZv, KvVv‡gvev` (structuralism), DËi-KvVv‡gvev` (post-structuralism) cÖf…wZi cwicš’x| Z‡e GK_v ejvI Am½Z bq †h, wbD wn÷wiwm÷ Kv‡R gvK©mev`x mnvbyf‚wZ Av‡Q Ges Zv DËi-KvVv‡gvev‡`i wKQy Av‡cw¶KZv Øviv AewnZ| Gfv‡e wbD wn÷wiwm÷iv me©`vB †`‡Lb bv †h, wewbg©v‡Yi (deconstruction) mv‡_ mvgÄm¨nxb wn‡k‡e Zuviv wK Ki‡Qb|
we‡klZ Bs‡iwR-ejv we‡k¦ `y‡Uv hy‡M m¤úvw`Z M‡elYvi mv‡_ wbD wn÷wiwmRg m¤úwK©Z| h_v: †i‡bmuv Ges †ivgvw›UK hyM| DrK…óZg M‡elYv¸‡jvi AwaKvskB n‡”Q hy³iv‡óª| `„óvš—¯^iƒc, †i‡bmuv hy‡Mi †÷‡db wMÖbev‡Ui Øviv Ges †ivgvw›UK hy‡Mi †Rig g¨vKM¨vb Ges gv‡R©vwi †jwfbm‡bi Øviv| weª‡U‡b †gwiwjb evUjvi †ivgvw›UK hy‡Mi wbD wn÷wiwm÷ cwÛ‡Zi wewkó D`vniY| wbD wn÷wiwm÷iv †gvoK Ges w‡kvbv‡gi e¨vcv‡i cÖkœ †Zv‡jb Ges AweiZfv‡e Zuv‡`i Mš—e¨‡K cwi‡kvwaZ K‡ib| Zuviv hyw³nxb AvÍ-cÖPviYvi PvB‡Z BwZnvm I mvwn‡Z¨i ga¨Kvi m¤úK© wb‡q cÖkœ DÌvc‡bi e¨vcv‡i AwaKZi AvMÖnx _v‡Kb|3 wbD wn÷wiwmRg kãwU gvwK©b mgv‡jvPK †÷‡db wMÖbevU KZ…©K 1980-Gi `k‡K D™¢vweZ nq| Zuvi MÖš’ Renaissance Self-Fashioning: from More to Shakespeare (1980) †K mPivPi wbD wn÷wiwmR‡gi m~ÎcvZ wn‡k‡e MÖvn¨ Kiv nq|4 welqwUi GKwU mvaviY msÁv Gfv‡e Uvbv †h‡Z cv‡i †h, mPivPi GKB HwZnvwmK Kv‡ji mvwnwZ¨K Ges AmvwnwZ¨K †UK‡÷i mgvš—ivj cV‡bi Ici cÖwZwôZ c×wZ‡K wbD wn÷wiwmRg ejv P‡j| wbD wn÷vwiwmRg mvwnwZ¨K †UK÷mg~n‡K cÖvavb¨ w`‡Z A¯^xKvi K‡i| mvwnwZ¨K AMÖf‚wg wKsev HwZnvwmK cUf‚wg we‡ePbvi PvB‡Z G‡¶‡Î cvi¯úwiK AewnwZ Ges wRÁvmvi cwi‡cÖw¶‡Z mvwnwZ¨K Ges AmvwnwZ¨K Dfq †UK÷‡K mgvb ¸i“Z¡ †`qv n‡q _v‡K| gvwK©b mgv‡jvPK jyB gb‡Uªv‡mi msÁvq wbD wn÷wiwmR‡g GB mgvb ¸i“‡Z¡i civgk© †`qv nq| BwZnv‡mi MÖwš’KZv Ges MÖ‡š’i HwZnvwmKZvq (The textuality of history and the historicity of texts) mgwš^Z AvMÖn wn‡k‡e wZwb wbD wn÷wiwmRg‡K msÁvwqZ K‡i‡Qb| Avevi wMÖbev‡Ui fvlvq: GwU AZx‡Zi mKj mvwnwZ¨K wPý‡K coevi GKwU ZxeªZi B”Qv‡K Aš—f©~³ K‡i| e¯‘Z, wbD wn÷wiwmRg Ggwb GK mgv‡jvPbv kvLvi Bw½Z †`q hv †KejgvÎ mvwnwZ¨KB bq, hyMcr AmvwnwZ¨K †UK‡÷i cV‡bi welqwU‡KI wekvj ¸i“Z¡ w`‡q _v‡K| wbD wn÷wiwmRg Kvh©Z GKwU BwZnvm-MÖwš’K (historicist) Av‡›`vjb; HwZnvwmK (historical) bq| A_©vr, GwU BwZnvm‡K GKwU wjwLZ `wjj wn‡k‡e, GKwU †UK÷ wn‡k‡e †`L‡Z AwaKZi AvMÖnx| wbD wn÷wiwmRg hyw³ †`Lvq †h, HwZnvwmK NUbvejx Ac~iYxqfv‡e nvwi‡q hvq| GKRb †jL‡Ki cÖK…Z fvebv, Abyf‚wZ wKsev B”Qv KL‡bv wjwce× wKsev cybM©wVZ n‡Z cv‡i bv| G‡Z K‡i cÖK…Z Rxeš— e¨w³i ¯’jvwfwl³ nq Avgv‡`i Kv‡Q Avmv mvwnwZ¨K †UK÷mg~n| wbD wn÷wiwm÷‡`i R‡b¨ AZx‡Zi NUbvejx I cÖwZb¨vmmg~n m¤ú~Y©fv‡e iPbv wn‡k‡e Aw¯—Z¡ jvf K‡i|
AZx‡Zi MÖwš’K weeiY wn‡k‡e wbD wn÷wiwmRg wewbg©v‡Yi Øviv cÖfvevwš^Z| †UK÷ ewnf©~Z wKQy †bB (There is nothing outside the text), e‡j †`wi`v †h gZ cÖKvk K‡i‡Qb, wbD wn÷vwiwmRg Zv‡K GB we‡kl A‡_© MÖnY K‡i †h, AZxZ m¤úwK©Z mewKQyB Avgv‡`i Kv‡Q MÖwš’Z iƒ‡c G‡m‡Q| GwU wZbevi cÖwµqvRvZK…Z nq (thrice-processed)| cÖ_gZ, Gi wbR mg‡qi Av`k© wKsev `„wófw½ wKsev wewea Abykxj‡bi gvav‡g; wØZxqZ, Avgv‡`i mg‡qi Av`k© , `„wófw½ wKsev AvPi‡Yi gva¨‡g; Z…ZxqZ Ges P‚ovš—Z, fvlvi wb‡Ri weK…Z Rv‡ji gvav‡g| GKwU †UK‡÷ hv wKQy e¨vL¨vZ nq, Zv Gfv‡e cybM©wVZ nq| wbD wn÷wiwm÷ iPbvmg~n me©`v wb‡RivB Ab¨ GKwU cybwbg©vY, AZx‡Zi Ab¨ GK web¨vm MVb K‡i hLb Av‡jvP¨ bvUK wKsev KweZvwUi mv‡_ GKwU cQ›`K…Z bgybv cvkvcvwk ¯’vcb Kiv nq| Gi d‡j GKwU bZzb mËv MwVZ nq|
wbD wn÷wiwmRg `„pfv‡e cÖ_v I cÖwZôvb we‡ivax| me©`vB c‡iv¶fv‡e e¨w³MZ ¯^vaxbZvi D`vi‰bwZK Av`k©mg~‡ni c¶cvZx Ges c„_KË¡ Ges wfbœ‡Z¡i mKj iƒ‡ci c~Rvix| me©kw³gvb Ges me©`ªóv wn‡k‡e iv‡óªi avibvwU DËi-KvVv‡gvev`x mvs¯‹…wZK-HwZnvwmK wg‡kj dz‡Kvi KvQ †_‡K D™¢‚Z nq, ivóª m¤ú‡K© hvi avibv n‡jv me©`ªóv cÖniv (Panoptic surveillance)-Gi avibv| hvB‡nvK, me©`ªóv ivóª ˆ`wnK kw³ wKsev fxwZ cÖ`k©‡bi gva¨‡g Zvi cÖniv eRvq iv‡Lbv, eis Zvi wWm‡Kv‡m©i Abykxj‡bi (discursive practices) gvav‡g Zv eRvq iv‡L| GB wWmKvwm©f cÖ¨vKwUm AwfavwU dz‡Kv KZ…©K D™¢vweZ hv Zvi Av`k©‡K iv‡óª (body politic) cÖPwjZ K‡i| wWm‡Kvm© ej‡Z †KejgvÎ ejevi wKsev wjLevi †Kv‡bv Dcvq‡KB eySvq bv; eis †mB m¤ú~Y© gvbm-web¨vm Ges Av`k©‡K eySvq hv GKwU mgv‡Ri mKj m`‡m¨i wPš—b-cÖwµqv‡K mshy³ K‡i| GwU GKK Ges AwØZxq bq| GLv‡b me©`vB ˆewPΨ _v‡K, hv‡Z K‡i ¶gZv-KvVv‡gvmg~‡ni Kvh©KvwiZv GKwU cwiev‡i miKv‡ii wewfbœ ¯—‡ii g‡Zv ¸i“Z¡c~Y© cÖwZfvZ nq| dz‡Kvi iPbv cwðgv mgv‡R weKwkZ AvÍ-Gi avibvi cybcix¶‡Yi ˆewkó¨m~PK| wjev‡ij wnDg¨vwb÷iv me©`vB GK ai‡bi wbf©i‡hvM¨ I m½wZc~Y© ev¯—eZv wn‡k‡e ÔAvÍÕ-Gi avibv‡K AuvK‡o a‡i‡Q| wKš‘ dz‡Kv cvMjvgx, kvw¯— Ges †hŠbZvi BwZnv‡mi Ici iwPZ Zuvi MÖš’mg~‡n †`wL‡q‡Qb- ÔAvÍÕ wKfv‡e Áv‡bi wKsev wWm‡Kv‡m©i we‡kl GjvKvi wkKvi nq| AZGe, dz‡Kvi cÖKí n‡jv : cyi‡bv mZ¨Zv wKsev h_v_©Zv‡K AuvK‡o _vK‡Z A¯^xKvi K‡i Ges ÔAvÍÕ-Gi GKwU AwaKZi AwbwðZ avibv m„wó K‡i AZx‡Zi GK weKí cVb cÖ¯—ve Kiv| GK_v ejv †h‡Z cv‡i †h, wbD wn÷wiwmRg h_v_©B mvwnwZ¨K cvVmg~‡ni GKwU ¸i“Z¡c~Y© we¯—v‡ii cÖwZ w`Kwb‡`©k K‡i| KviY, GwU AmvwnwZ¨K †UK‡÷i mvwnZ¨ mgv‡jvPbvg~jK ixwZmg~‡n e¨vcK Nwbô cVb (close reading) Av‡ivwcZ K‡i| AwaKš‘, GKB †UK÷ m¤úwK©Z c~e©eZ©x iPbvq ¯^í g‡bv‡hvM †`qv nq †h‡bv, wbD wn÷wiwmR‡gi Avwef©ve AZx‡Zi mKj GKv‡WwgK ΓwU wePz¨wZ fz‡j bZzb K‡i hvÎv ïi“ K‡i‡Q| G Kvi‡Y GwU GKwU †UK÷ Nwbô G¨v‡cÖvP, †hLv‡b cÖm½‡K (context) cwinvi Kiv nq Ges cvV¨e¯‘‡K wecÖvmw½K…Z (decontextualised) wew”Qbœ KweZvi g‡Zv cvV Kiv nq| GB ai‡bi KweZvi K_v AvB. G. wiPvW©mI cÖ¯—ve K‡i‡Qb| Gfv‡e GKwU GKK HwZnvwmK †UK÷ KL‡bv KL‡bv cy‡iv cÖgvY n‡q `uvovq Ges GKwU GKK `wj‡ji Ici e¨vL¨v‡bi `vwqZ¡v‡ivc cÖkswmZ nq| Aek¨ wbD wn÷wiwmR‡gi cÖwµqvmg~n HwZnvwmK‡`i Kv‡Q g~j¨vwqZ ev cÖkswmZ nqwb| c¶vš—‡i, A‰bwZnvwmK‡`i Kv‡Q GB cÖwµqv h‡_ó Av‡e`b m„wó Ki‡Z ‡c‡i‡Q| hvB‡nvK, GKvwaK Kvi‡YB wbD wn÷vwiwmR‡gi Av‡e`b wbtm‡›`‡n e‡ov| cÖ_gZ, DËi-KvVv‡gvev`x wPš—‡bi wfwËg~‡j cÖwZwôZ n‡jI GwU h‡_ó AwfMg¨ Dcv‡q wjwLZ, Ges AwaKvskZ DËi-KvVv‡gvev‡`i ˆewkó¨m~PK ¯’zj ˆkjx Ges kãm¤¢vi ewR©Z| wØZxqZ, mvwnwZ¨K cv‡Vi cwi‡cÖw¶‡Z Gi welqe¯‘ cÖvqkB PgrKvi Ges m¤ú~Y©iƒ‡c ¯^Zš¿| Z…ZxqZ, wbD wn÷wiwm÷ iPbvi ivR‰bwZK cÖvš— me©`vB Zx¶è|
Beginning Theory MÖ‡š’i iPwqZv wcUvi †eix wbD wn÷wiwm÷ mgv‡jvPKe„‡›`i Kg©KvÛ‡K wb‡æv³ Pvifv‡M wef³ K‡i‡Qb:
GK. Zuviv mvwnwZ¨K Ges AmvwnwZ¨K †UK÷mg~n‡K cvkvcvwk ¯’vcb K‡ib Ges cÖ_gwU‡K wØZxqwUi Av‡jv‡K cvV K‡ib|
`yB. Zuviv Kvbywb mvwnwZ¨K †UK÷‡K wecwiwPwZKiY (defamiliarise) K‡ib|
wZb. Zuviv ivóª ¶gZv I Zvi cÖwµqv wcZ…Zvwš¿K KvVv‡gv Ges Zv‡`i ¯’vqxKiY, Jcwb‡ewkKvqb cÖwµqv I Zvi AbyMvgx gvbm-web¨vm cÖf…wZ Bmy¨i Ici †UK÷ Ges mn-†UK‡÷i g‡a¨B `„wó wb‡¶c K‡ib|
Pvi. Zuviv DËi-KvVv‡gvev`x `„wófw½i wewfbœ w`K¸‡jv e¨envi K‡ib; we‡klZ, †`wi`vi avibv; ev¯—eZvi cÖ‡Z¨K w`K n‡jv MÖwš’Z (textualised) Ges dz‡Kvi avibv, mgvwRK KvVv‡gvmg~n cÖej wWm‡Kv‡m©i Abykxj‡bi Øviv wba©vwiZ|5 AZGe, MÖ‡š’i HwZnvwmKZv Ges BwZnv‡mi MÖwš’KZv wewbg©v‡Yi R‡b¨ mgKvjxb mvwnwZ¨K I AmvwnwZ¨K †UK‡÷i †h mgvš—ivj cvV Abykxjb Kiv nq, ZvB e¯‘Z wbD wn÷wiwmRg|
KvjPvivj g¨v‡UwiqvwjRg:
wbD wn÷wiwmR‡gi weªwUk mgv_©K Av‡›`vjb‡K KvjPvivj g¨v‡UwiqvwjRg ejv n‡q _v‡K| evsjvq G‡K ejv †h‡Z cv‡i mvs¯‹…wZK e¯‘ev`| e¯‘Z, GwU GKwU gvK©mev`x c_ hvi Øviv †`Lv‡bv nq wKfv‡e GKwU †UK‡÷i wWm‡Kvm©mg~n GKwU Av`wk©K Ae¯’vb cÖKvk K‡i wKsev Zv‡K P¨v‡jÄ K‡i| mvs¯‹…wZK e¯‘ev‡`i GKwU c~Y©Zi msÁv Gfv‡e Uvbv †h‡Z cv‡i †h, GwU BwZnvm ZvwË¡K c×wZ Ges ivR‰bwZK A½xKv‡i mvwnwZ¨K †UK‡÷i wbwnZv‡_©i cVb‡K mshy³ K‡i Ges mvs¯‹…wZK Drcv`‡bi wbw`©ó cÖwZôvb mg~‡ni mv‡_ †UK÷ wKfv‡e m¤úwK©Z nq, Zv †`Lvq|6 weªwUk mgv‡jvPK MÖvnvg †nvìvi‡bm mvs¯‹…wZK e¯‘ev`‡K wnw÷ªIMÖvwdi ivRbxwZK…Z iƒc (a politicised form of historiography) wn‡k‡e eY©bv K‡i‡Qb| Gw`K †_‡K ivRbxwZK…Z KvVv‡gvi †fZ‡i mvwnwZ¨K †UK÷ Aš—f©~³Kvix HwZnvwmK e¯‘mg~n cVb A‡_© KvjPvivj g¨v‡UwiqvwjRg‡K eySv‡bv †h‡Z cv‡i|
'Cultural materialism' AwfavwU cÖPwjZ n‡q‡Q 1985-Gi w`‡K hLb †mwU †Rvbv_b `wj‡gvi Ges G¨vjvb wmbwdì bvgK `yRb cÖL¨vZ mvs¯‹…wZK e¯‘ev`xi Øviv Zuv‡`i iPbvmsKjb Political Shakespeare-Gi Dc-wk‡ivbvg wn‡k‡e e¨eüZ nq| Zuviv mvs¯‹…wZK e¯‘ev`‡K cÖv_wgKfv‡e msÁvwqZ K‡i‡Qb mvwnwZ¨K †UK‡÷i HwZwn¨K G¨v‡cÖv‡Pi wecixZ wn‡k‡e, †h¸‡jv Zuv‡`i cÖ¯—veg‡Z †f‡½ c‡o‡Q| mvwnZ¨ mgv‡jvPbvi gvbg~j¨ I Mš—‡e¨i mv‡_ mvsNwl©Kfv‡e mvs¯‹…wZK e¯‘ev` HwZnvwmK cÖm½, ZvwË¡K c×wZ, ivR‰bwZK Aw½Kvi Ges MÖwš’K we‡klY wgkª‡Yi cÖ¯—ve †`q|7 cwjwUK¨vj †kKm&cxqi-Gi f‚wgKvq †jLKØq mvs¯‹…wZK e¯‘ev`‡K msÁvwqZ K‡i‡Qb GKwU mgv‡jvPbv c×wZ wn‡k‡e hvi PviwU ˆewkó¨ Av‡Q| GwU g‡bv‡hvM wbe× K‡i D³ PviwU wel‡qi Ici: HwZnvwmK cÖm½; ZvwË¡K c×wZ; ivR‰bwZK `vwqZ¡; Ges MÖwš’K we‡klY| welq¸‡jv ms‡¶‡c Av‡jvPbv Kiv hvK|
cÖ_gZ, HwZnvwmK cÖm‡½i Ici ¸i“Z¡v‡ivc mvwnwZ¨K †UK‡÷ HwZwn¨Kfv‡e cÖ`Ë AZxw›`ªq ¸i“Z¡‡K Le© K‡i| GLv‡b AZxw›`ªq (transcendent) ej‡Z mgqnxbZv eySv‡bv n‡q‡Q| A`¨vewa †kKm&&cxqi covi A_© ejv †h‡Z cv‡i, Zuvi bvUK¸‡jv wb‡R‡`i Kvjnxb cÖgvY K‡i‡Q Ges mij A‡_© ejv †h‡Z cv‡i †h, †m¸‡jv †h mg‡q iwPZ n‡q‡Q Zv HwZnvwmK NUbvejxi Øviv mxgve× bq| wKš‘ GwU GKwU gvÎvi e¨vcvi| KvjPvivj g¨v‡UwiqvwjR‡gi GB w`KwUi D‡Ïk¨ n‡jv wb‡Ri BwZnvm cybi“×v‡i mvwnwZ¨K †UK÷‡K AbygwZ †`qv hv c~‡e©Kvi cvVmg~n cÖvqkB D‡c¶v K‡i‡Q| wØZxqZ, ZvwË¡K c×wZi Ici ¸i“Z¡v‡iv‡ci A_© n‡jv wjev‡ij wnDg¨vwbR‡gi mv‡_ we‡”Q` iPbv Ges ÷ªvKPvivwjRg, †cv÷-÷ªvKPvivwjRgmn Ab¨vb¨ G¨v‡cÖvP¸‡jv, †h¸‡jv 1970-Gi `kK †_‡K cÖavb n‡q IVv ïi“ K‡i, †_‡K wk¶vMÖnY| Z…ZxqZ, ivR‰bwZK `vwq‡Z¡i Ici ¸i“Z¡v‡iv‡ci A_© n‡jv gvK©mev`x Ges bvixev`x cwi‡cÖw¶‡Zi cÖfve Ges i¶Ykxj L„w÷q KvVv‡gv †_‡K we‡”Q` hv A`¨vewa †kKm&cxqixq mgv‡jvPbvi Ici KZ…©Z¡ K‡i Avm‡Q| PZz_©Z Ges †klZ, MÖwš’K we‡kl‡Yi Ici ¸i“Z¡v‡ivc HwZwn¨K G¨v‡cÖv‡Pi mgv‡jvPbv‡K wPwýZ K‡i †hLv‡b GwU D†cw¶Z n‡Z cv‡ibv| 'Cultural Materialism' kã `y‡Uvi †fZ‡i 'Culture' ej‡Z ms¯‹…wZi mKj iƒc h_v, †Uwjwfkb, RbwcÖq m½xZ Ges Dcb¨vm cÖf…wZ eySvq| A_©vr, GB G¨v‡cÖvPwU †KejgvÎ D”P mvs¯‹…wZK K‡g©i †fZ‡iB wb‡R‡K mxgve× iv‡Lbv, h_v: †kKm&cxqixq bvUK| g¨v‡UwiqvwjRg AvBwWqvwjR‡gi wecixZ A_© wb‡`©k K‡i| GKwU Av`k©ev`x wek¦vm n‡jv †h, D”P ms¯‹…wZ †gavex cÖvwZw¯^K g‡bi gy³ Ges ¯^vaxb †Ljv| c¶vš—‡i, e¯‘ev`x wek¦vm n‡jv †h, ms¯‹…wZ e¯‘ev`x kw³ Ges Drcv`‡bi m¤úK©‡K AwZµg Ki‡Z cv‡ibv| KvjPvi †KejgvÎ A_©‰bwZK Ges ivR‰bwZK c×wZi cÖwZdjbB bq wKsev bq Gi †_‡K ¯^vaxb| g¨v‡UwiqvwjR‡gi Ici GB mKj gš—e¨ gvK©mev`x mgv‡jvPbvi cÖavb w`K¸‡jv cÖKvk K‡i|
KvjPvivj g¨v‡UwiqvwjRg Zvi `„wófw½i A‡bKLvwbB MÖnY K‡i‡Q weªwUk evgcš’x mgv‡jvPK †igÛ DBwjqvg‡mi wbKU †_‡K| dz‡Kvi wWm‡Kv‡m©i avibvi cwie‡Z© DBwjqvgm ÔAbyf‚wZi KvVv‡gvmg~nÕ (structures of feeling) AwfavwU Avwe®‹vi K‡ib| G¸‡jv hvwcZ Ges Abyf‚Z nIqv A_© I g~j¨‡ev‡ai mv‡_ mswkó| Abyf‚wZi KvVv‡gvmg~n cÖvqkB g~j¨‡eva I wek¦v‡mi cÖKvk¨ c×wZmg~n Ges GKwU mgv‡Ri cÖavb Av`k©mg~‡ni we‡ivax| Zv‡`i‡K ˆewkó¨m~PKfv‡e mvwn‡Z¨ cvIqv hvq Ges Zviv we`¨gvb mvgvwRK Ae¯’vi we‡ivwaZv K‡i| Gi djvdj GB †h, mvs¯‹…wZK e¯‘ev` cwieZ©‡bi m¤¢vebvq A‡bK †ewk Avkvev`x Ges KL‡bv KL‡bv mvwnZ¨‡K we‡ivavÍK g~j¨‡ev‡ai Drm wn‡k‡e †`L‡Z AvMÖnx| mvs¯‹…wZK e¯‘ev` we‡kl K‡i eZ©gvb‡K coevi R‡b¨ AZx‡Zi e¨envi mshy³ K‡i; AZx‡Zi hv wKQy Avgiv ¸i“Z¡`v‡bi wKsev `g‡bi R‡b¨ cQ›` Kwi Zvi Øviv Avgv‡`i wbR mgv‡Ri ivRbxwZ cÖKvk K‡i|
mvs¯‹…wZK e¯‘ev`x mgv‡jvPK‡`i Kvh©cÖYvjx‡K wb‡æv³fv‡e wef³ Kiv †h‡Z cv‡i:
cÖ_gZ, Zuviv mvwnwZ¨K †UK÷ Ggbfv‡e c‡ob †h‡bv Avgiv Zvi BwZnvm cybi“×v‡i mg_© nB| wØZxqZ, Zuviv †UK‡÷i gvK©mev`x Ges bvixev`x c‡_i mw¤§jb NUvb| Z…ZxqZ, Zuviv Aš—i½ we‡kl‡Yi wewea †KŠkj cÖ‡qvM K‡ib Ges cÖvqkB KvVv‡gvev`x Ges DËi-KvVv‡gvev`x ˆkjx cÖhy³ K‡ib| PZz_©Z, Zviv cÖavYZ Kvby‡bi HwZwn¨K avibvi †fZ‡iB KvR K‡ib GB wfwËg~‡j †h, AwaKZi `y‡e©va¨ †UK÷ m¤ú‡K© iPbv K`vwPr GKwU Kvh©Ki ivR‰bwZK ga¨¯’Zv MVb K‡i| mvs¯‹…wZK e¯‘ev` ¸i“Z¡c~Y G Kvi‡Y †h, GwU bqv evg weªwUk gvK©mev` †_‡K DrmvwiZ MwZ‡K RvqMv w`‡q‡Q Ges DcwiKvVv‡gvi Av`wk©K mgv‡jvPbvq g‡bv‡hvM w`‡q‡Q| welqwU GB gvÎvq DËi-gvK©mev`x †h, Zv Zvi cÖ‡f‡`i ivRbxwZ‡Z Avi †Kv‡bvg‡ZB †kªYx‡K AMÖvwaKvi †`q bv| AmsL¨ gvK©mev`x wbðqZvi aviYv‡K P¨v‡jÄ Kievi R‡b¨ bvixev`, DËi-Jcwb‡ewkKZvev`, ˆjw½K cVb cÖf…wZ cÖc `„k¨c‡U Avwef©~Z n‡q‡Q|8
wbD wn÷wiwmRg I KvjPvivj g¨v‡UwiqvwjR‡gi cÖK…wZ, cÖZ¨q Ges Kvh©cÖYvjx ch©v‡jvPbv K‡i wbtm‡›`‡n G K_vi cÖwZaŸwb Kiv †h‡Z cv‡i †h, AvaywbK mgv‡jvPbvi Ab¨Zg ¸i“Z¡c~Y© Ges Av‡e`bgq Av‡›`vjb n‡jv wbD wn÷wiwmRg Ges KvjPvivj g¨v‡UwiqvwjRg|9
D‡jLcwÄ:
1. Peck, John Coyle, Martin. Literary Terms and Criticism Second edition. Macmillan Press Ltd., 1993, c„-182
2. cÖv¸³, c„-183
3. Cuddon J. A. The Penguin Dictionary of Literary Terms and Literary Theory Third edition. USA: Penguin Books, 1992, c„-584
4. Barry, Peter. Beginning Theory, An Introduction to Literary and Cultural Theory. N.Y: Manchester University Press, First Published 1995, c„-172
5. cÖv¸ß c„-179
6. Peck, John Coyle, Martin. Literary Terms and Criticism Second edition. Macmillan Press Ltd., 1993, c„-183
7. Wilson, Scott. Cultural Materialiasm. Oxford: Blackwell Publishers Ltd., 1995, c„.3
8. cÖv¸³, c„.- ix
9. Kieranan, Pyran. (ed.) New Historicism and Cultural Materialism: A Reader, Great Britain: Arnold, 1996.
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