Dr. Rashid Askari: Fiction writer, critic, columnist, teacher, and social analyst.

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The Novel: An Alternative History: Beginnings to 1600


Dr. Rashid Askari is one of the handful of writers in Bangladesh who write both Bengali and English with equal ease and efficiency. Born on 1st June, 1965 in a sleepy little town of Rangpur in Bangladesh, he took an Honours and a Master's in English from Dhaka University with distinction, and a PhD in Indian English literature from the University of Poona. He is now a professor of English at Kushtia Islamic University.


Rashid Askari has emerged as a writer in the mid-nineties of the last century, and has, by now, written half a dozen books, and quite a large number of research articles, essays, and newspaper columns in Bengali and English published at home and abroad. His two Bengali books: Indo-English Literature and Others (Dhaka-1996) and Postmodern Literary and Critical Theory (Dhaka-2002) and one English book : The Wounded Land deserve special mention. He also writes short fictions in Bengali and English. His first short-story book in Bengali Today's Folktale was published in 1997. Another short-story book in English is awaiting publication. Currently, he is working on an English fiction.


The Complete Handbook Of Novel Writing: Everything You Need to Know About Creating & Selling Your Work (Writers Digest)

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Friday, November 18, 2011

New Historicism and Cultural Materialism

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Avaywb‡KvËi cV‡bi m~Îvejx

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wbD wn÷wiwmRg `„pfv‡e cÖ_v I cÖwZôvb we‡ivax| me©`vB c‡iv¶fv‡e e¨w³MZ ¯^vaxbZvi D`vi‰bwZK Av`k©mg~‡ni c¶cvZx Ges c„_KË¡ Ges wfbœ‡Z¡i mKj iƒ‡ci c~Rvix| me©kw³gvb Ges me©`ªóv wn‡k‡e iv‡óªi avibvwU DËi-KvVv‡gvev`x mvs¯‹…wZK-HwZnvwmK wg‡kj dz‡Kvi KvQ †_‡K D™¢‚Z nq, ivóª m¤ú‡K© hvi avibv n‡jv me©`ªóv cÖniv (Panoptic surveillance)-Gi avibv| hvB‡nvK, me©`ªóv ivóª ˆ`wnK kw³ wKsev fxwZ cÖ`k©‡bi gva¨‡g Zvi cÖniv eRvq iv‡Lbv, eis Zvi wWm‡Kv‡m©i Abykxj‡bi (discursive practices) gvav‡g Zv eRvq iv‡L| GB wWmKvwm©f cÖ¨vKwUm AwfavwU dz‡Kv KZ…©K D™¢vweZ hv Zvi Av`k©‡K iv‡óª (body politic) cÖPwjZ K‡i| wWm‡Kvm© ej‡Z †KejgvÎ ejevi wKsev wjLevi †Kv‡bv Dcvq‡KB eySvq bv; eis †mB m¤ú~Y© gvbm-web¨vm Ges Av`k©‡K eySvq hv GKwU mgv‡Ri mKj m`‡m¨i wPš—b-cÖwµqv‡K mshy³ K‡i| GwU GKK Ges AwØZxq bq| GLv‡b me©`vB ˆewPΨ _v‡K, hv‡Z K‡i ¶gZv-KvVv‡gvmg~‡ni Kvh©KvwiZv GKwU cwiev‡i miKv‡ii wewfbœ ¯—‡ii g‡Zv ¸i“Z¡c~Y© cÖwZfvZ nq| dz‡Kvi iPbv cwðgv mgv‡R weKwkZ AvÍ-Gi avibvi cybcix¶‡Yi ˆewkó¨m~PK| wjev‡ij wnDg¨vwb÷iv  me©`vB GK ai‡bi wbf©i‡hvM¨ I m½wZc~Y© ev¯—eZv wn‡k‡e ÔAvÍÕ-Gi avibv‡K AuvK‡o a‡i‡Q| wKš‘ dz‡Kv cvMjvgx, kvw¯— Ges †hŠbZvi BwZnv‡mi Ici iwPZ Zuvi MÖš’mg~‡n †`wL‡q‡Qb- ÔAvÍÕ wKfv‡e Áv‡bi wKsev wWm‡Kv‡m©i we‡kl GjvKvi wkKvi nq| AZGe, dz‡Kvi cÖKí n‡jv : cyi‡bv mZ¨Zv wKsev h_v_©Zv‡K AuvK‡o _vK‡Z A¯^xKvi K‡i Ges ÔAvÍÕ-Gi GKwU AwaKZi AwbwðZ avibv m„wó K‡i AZx‡Zi GK weKí cVb cÖ¯—ve Kiv| GK_v ejv †h‡Z cv‡i †h, wbD wn÷wiwmRg h_v_©B mvwnwZ¨K cvVmg~‡ni GKwU ¸i“Z¡c~Y© we¯—v‡ii cÖwZ w`Kwb‡`©k K‡i| KviY, GwU AmvwnwZ¨K †UK‡÷i mvwnZ¨ mgv‡jvPbvg~jK ixwZmg~‡n e¨vcK Nwbô cVb (close reading) Av‡ivwcZ K‡i| AwaKš‘, GKB †UK÷ m¤úwK©Z c~e©eZ©x iPbvq ¯^í g‡bv‡hvM †`qv nq †h‡bv, wbD wn÷wiwmR‡gi Avwef©ve AZx‡Zi mKj GKv‡WwgK ΓwU wePz¨wZ fz‡j bZzb K‡i hvÎv ïi“ K‡i‡Q| G Kvi‡Y GwU GKwU †UK÷ Nwbô G¨v‡cÖvP, †hLv‡b cÖm½‡K (context) cwinvi Kiv nq Ges cvV¨e¯‘‡K wecÖvmw½K…Z (decontextualised) wew”Qbœ KweZvi g‡Zv cvV Kiv nq| GB ai‡bi KweZvi K_v AvB. G. wiPvW©mI cÖ¯—ve K‡i‡Qb| Gfv‡e GKwU GKK HwZnvwmK †UK÷ KL‡bv KL‡bv cy‡iv cÖgvY n‡q `uvovq Ges GKwU GKK `wj‡ji Ici e¨vL¨v‡bi `vwqZ¡v‡ivc cÖkswmZ nq| Aek¨ wbD wn÷wiwmR‡gi cÖwµqvmg~n HwZnvwmK‡`i Kv‡Q g~j¨vwqZ ev cÖkswmZ nqwb| c¶vš—‡i, A‰bwZnvwmK‡`i Kv‡Q GB cÖwµqv h‡_ó Av‡e`b m„wó Ki‡Z ‡c‡i‡Q| hvB‡nvK, GKvwaK Kvi‡YB wbD wn÷vwiwmR‡gi Av‡e`b wbtm‡›`‡n e‡ov| cÖ_gZ, DËi-KvVv‡gvev`x wPš—‡bi wfwËg~‡j cÖwZwôZ n‡jI GwU h‡_ó AwfMg¨ Dcv‡q wjwLZ, Ges AwaKvskZ DËi-KvVv‡gvev‡`i ˆewkó¨m~PK ¯’zj ˆkjx Ges kãm¤¢vi ewR©Z| wØZxqZ, mvwnwZ¨K cv‡Vi cwi‡cÖw¶‡Z Gi welqe¯‘ cÖvqkB PgrKvi Ges m¤ú~Y©iƒ‡c ¯^Zš¿| Z…ZxqZ, wbD wn÷wiwm÷ iPbvi ivR‰bwZK cÖvš— me©`vB Zx¶è|
Beginning Theory MÖ‡š’i iPwqZv wcUvi †eix wbD wn÷wiwm÷ mgv‡jvPKe„‡›`i Kg©KvÛ‡K wb‡æv³ Pvifv‡M wef³ K‡i‡Qb:
GK. Zuviv mvwnwZ¨K Ges AmvwnwZ¨K †UK÷mg~n‡K cvkvcvwk ¯’vcb K‡ib Ges cÖ_gwU‡K wØZxqwUi Av‡jv‡K cvV K‡ib|
`yB. Zuviv Kvbywb mvwnwZ¨K †UK÷‡K wecwiwPwZKiY (defamiliarise) K‡ib|
wZb. Zuviv ivóª ¶gZv I Zvi cÖwµqv wcZ…Zvwš¿K KvVv‡gv Ges Zv‡`i ¯’vqxKiY, Jcwb‡ewkKvqb cÖwµqv I Zvi AbyMvgx gvbm-web¨vm cÖf…wZ Bmy¨i Ici †UK÷ Ges mn-†UK‡÷i g‡a¨B `„wó wb‡¶c K‡ib|
Pvi. Zuviv DËi-KvVv‡gvev`x `„wófw½i wewfbœ w`K¸‡jv e¨envi K‡ib; we‡klZ, †`wi`vi avibv; ev¯—eZvi cÖ‡Z¨K w`K n‡jv MÖwš’Z (textualised) Ges dz‡Kvi avibv, mgvwRK KvVv‡gvmg~n cÖej wWm‡Kv‡m©i Abykxj‡bi Øviv wba©vwiZ|5 AZGe, MÖ‡š’i HwZnvwmKZv Ges BwZnv‡mi MÖwš’KZv wewbg©v‡Yi R‡b¨ mgKvjxb mvwnwZ¨K I AmvwnwZ¨K †UK‡÷i †h mgvš—ivj cvV Abykxjb Kiv nq, ZvB e¯‘Z wbD wn÷wiwmRg|

KvjPvivj g¨v‡UwiqvwjRg:
wbD wn÷wiwmR‡gi weªwUk mgv_©K Av‡›`vjb‡K KvjPvivj g¨v‡UwiqvwjRg ejv n‡q _v‡K| evsjvq G‡K ejv †h‡Z cv‡i mvs¯‹…wZK e¯‘ev`| e¯‘Z, GwU GKwU gvK©mev`x c_ hvi Øviv †`Lv‡bv nq wKfv‡e GKwU †UK‡÷i wWm‡Kvm©mg~n GKwU Av`wk©K Ae¯’vb cÖKvk K‡i wKsev Zv‡K P¨v‡jÄ K‡i| mvs¯‹…wZK e¯‘ev‡`i GKwU c~Y©Zi msÁv Gfv‡e Uvbv †h‡Z cv‡i †h, GwU BwZnvm ZvwË¡K c×wZ Ges ivR‰bwZK A½xKv‡i mvwnwZ¨K †UK‡÷i wbwnZv‡_©i cVb‡K mshy³ K‡i Ges mvs¯‹…wZK Drcv`‡bi wbw`©ó cÖwZôvb mg~‡ni mv‡_ †UK÷ wKfv‡e m¤úwK©Z nq, Zv †`Lvq|6 weªwUk mgv‡jvPK MÖvnvg †nvìvi‡bm mvs¯‹…wZK e¯‘ev`‡K wnw÷ªIMÖvwdi ivRbxwZK…Z iƒc (a politicised form of historiography) wn‡k‡e eY©bv K‡i‡Qb| Gw`K †_‡K ivRbxwZK…Z KvVv‡gvi †fZ‡i mvwnwZ¨K †UK÷ Aš—f©~³Kvix HwZnvwmK e¯‘mg~n cVb A‡_© KvjPvivj g¨v‡UwiqvwjRg‡K eySv‡bv †h‡Z cv‡i|
'Cultural materialism'  AwfavwU cÖPwjZ n‡q‡Q 1985-Gi w`‡K hLb †mwU †Rvbv_b `wj‡gvi Ges G¨vjvb wmbwdì bvgK `yRb cÖL¨vZ mvs¯‹…wZK e¯‘ev`xi Øviv Zuv‡`i iPbvmsKjb Political Shakespeare-Gi Dc-wk‡ivbvg wn‡k‡e e¨eüZ nq| Zuviv mvs¯‹…wZK e¯‘ev`‡K cÖv_wgKfv‡e msÁvwqZ K‡i‡Qb mvwnwZ¨K †UK‡÷i HwZwn¨K G¨v‡cÖv‡Pi wecixZ wn‡k‡e, †h¸‡jv Zuv‡`i cÖ¯—veg‡Z †f‡½ c‡o‡Q| mvwnZ¨ mgv‡jvPbvi gvbg~j¨ I Mš—‡e¨i mv‡_ mvsNwl©Kfv‡e mvs¯‹…wZK e¯‘ev` HwZnvwmK cÖm½, ZvwË¡K c×wZ, ivR‰bwZK Aw½Kvi Ges MÖwš’K we‡k­lY wgkª‡Yi cÖ¯—ve †`q|7 cwjwUK¨vj †kKm&cxqi-Gi f‚wgKvq †jLKØq mvs¯‹…wZK e¯‘ev`‡K msÁvwqZ K‡i‡Qb GKwU mgv‡jvPbv c×wZ wn‡k‡e hvi PviwU ˆewkó¨ Av‡Q| GwU g‡bv‡hvM wbe× K‡i D³ PviwU wel‡qi Ici: HwZnvwmK cÖm½; ZvwË¡K c×wZ; ivR‰bwZK `vwqZ¡; Ges MÖwš’K we‡k­lY| welq¸‡jv ms‡¶‡c Av‡jvPbv Kiv hvK|
cÖ_gZ, HwZnvwmK cÖm‡½i Ici ¸i“Z¡v‡ivc mvwnwZ¨K †UK‡÷ HwZwn¨Kfv‡e cÖ`Ë AZxw›`ªq ¸i“Z¡‡K Le© K‡i| GLv‡b AZxw›`ªq (transcendent) ej‡Z mgqnxbZv eySv‡bv n‡q‡Q| A`¨vewa †kKm&&cxqi covi A_© ejv †h‡Z cv‡i, Zuvi bvUK¸‡jv wb‡R‡`i Kvjnxb cÖgvY K‡i‡Q Ges mij A‡_© ejv †h‡Z cv‡i †h, †m¸‡jv †h mg‡q iwPZ n‡q‡Q Zv HwZnvwmK NUbvejxi Øviv mxgve× bq| wKš‘ GwU GKwU gvÎvi e¨vcvi| KvjPvivj g¨v‡UwiqvwjR‡gi GB w`KwUi D‡Ïk¨ n‡jv wb‡Ri BwZnvm cybi“×v‡i mvwnwZ¨K †UK÷‡K AbygwZ †`qv hv c~‡e©Kvi cvVmg~n cÖvqkB D‡c¶v K‡i‡Q| wØZxqZ, ZvwË¡K c×wZi Ici ¸i“Z¡v‡iv‡ci A_© n‡jv wjev‡ij wnDg¨vwbR‡gi mv‡_ we‡”Q` iPbv Ges ÷ªvKPvivwjRg, †cv÷-÷ªvKPvivwjRgmn Ab¨vb¨ G¨v‡cÖvP¸‡jv, †h¸‡jv 1970-Gi `kK †_‡K cÖavb n‡q IVv ïi“ K‡i, †_‡K wk¶vMÖnY| Z…ZxqZ, ivR‰bwZK `vwq‡Z¡i Ici ¸i“Z¡v‡iv‡ci A_© n‡jv gvK©mev`x Ges bvixev`x cwi‡cÖw¶‡Zi cÖfve Ges i¶Ykxj L„w÷q KvVv‡gv †_‡K we‡”Q` hv A`¨vewa †kKm&cxqixq mgv‡jvPbvi Ici KZ…©Z¡ K‡i Avm‡Q| PZz_©Z Ges †klZ, MÖwš’K we‡k­l‡Yi Ici ¸i“Z¡v‡ivc HwZwn¨K G¨v‡cÖv‡Pi mgv‡jvPbv‡K wPwýZ K‡i †hLv‡b GwU D†cw¶Z n‡Z cv‡ibv| 'Cultural Materialism' kã `y‡Uvi †fZ‡i 'Culture' ej‡Z ms¯‹…wZi mKj iƒc h_v, †Uwjwfkb, RbwcÖq m½xZ Ges Dcb¨vm cÖf…wZ eySvq| A_©vr, GB G¨v‡cÖvPwU †KejgvÎ D”P mvs¯‹…wZK K‡g©i †fZ‡iB wb‡R‡K mxgve× iv‡Lbv, h_v: †kKm&cxqixq bvUK| g¨v‡UwiqvwjRg AvBwWqvwjR‡gi wecixZ A_© wb‡`©k K‡i| GKwU Av`k©ev`x wek¦vm n‡jv †h, D”P ms¯‹…wZ †gavex cÖvwZw¯^K g‡bi gy³ Ges ¯^vaxb †Ljv| c¶vš—‡i, e¯‘ev`x wek¦vm n‡jv †h, ms¯‹…wZ e¯‘ev`x kw³ Ges Drcv`‡bi m¤úK©‡K AwZµg Ki‡Z cv‡ibv| KvjPvi †KejgvÎ A_©‰bwZK Ges ivR‰bwZK c×wZi cÖwZdjbB bq wKsev bq Gi †_‡K ¯^vaxb| g¨v‡UwiqvwjR‡gi Ici GB mKj gš—e¨ gvK©mev`x mgv‡jvPbvi cÖavb w`K¸‡jv cÖKvk K‡i|
KvjPvivj g¨v‡UwiqvwjRg Zvi `„wófw½i A‡bKLvwbB MÖnY K‡i‡Q weªwUk evgcš’x mgv‡jvPK †igÛ DBwjqvg‡mi wbKU †_‡K| dz‡Kvi wWm‡Kv‡m©i avibvi cwie‡Z© DBwjqvgm ÔAbyf‚wZi KvVv‡gvmg~nÕ (structures of feeling) AwfavwU Avwe®‹vi K‡ib| G¸‡jv hvwcZ Ges Abyf‚Z nIqv A_© I g~j¨‡ev‡ai mv‡_ mswk­ó| Abyf‚wZi KvVv‡gvmg~n cÖvqkB g~j¨‡eva I wek¦v‡mi cÖKvk¨ c×wZmg~n Ges GKwU mgv‡Ri cÖavb Av`k©mg~‡ni we‡ivax| Zv‡`i‡K ˆewkó¨m~PKfv‡e mvwn‡Z¨ cvIqv hvq Ges Zviv we`¨gvb mvgvwRK Ae¯’vi we‡ivwaZv K‡i| Gi djvdj GB †h, mvs¯‹…wZK e¯‘ev` cwieZ©‡bi m¤¢vebvq A‡bK †ewk Avkvev`x Ges KL‡bv KL‡bv mvwnZ¨‡K we‡ivavÍK g~j¨‡ev‡ai Drm wn‡k‡e †`L‡Z AvMÖnx| mvs¯‹…wZK e¯‘ev` we‡kl K‡i eZ©gvb‡K coevi R‡b¨ AZx‡Zi e¨envi mshy³ K‡i; AZx‡Zi hv wKQy Avgiv ¸i“Z¡`v‡bi wKsev `g‡bi R‡b¨ cQ›` Kwi Zvi Øviv Avgv‡`i wbR mgv‡Ri ivRbxwZ cÖKvk K‡i|
mvs¯‹…wZK e¯‘ev`x mgv‡jvPK‡`i Kvh©cÖYvjx‡K wb‡æv³fv‡e wef³ Kiv †h‡Z cv‡i:
cÖ_gZ, Zuviv mvwnwZ¨K †UK÷ Ggbfv‡e c‡ob †h‡bv Avgiv Zvi BwZnvm cybi“×v‡i mg_© nB| wØZxqZ, Zuviv †UK‡÷i gvK©mev`x Ges bvixev`x c‡_i mw¤§jb NUvb| Z…ZxqZ, Zuviv Aš—i½ we‡k­l‡Yi wewea †KŠkj cÖ‡qvM K‡ib Ges cÖvqkB KvVv‡gvev`x Ges DËi-KvVv‡gvev`x ˆkjx cÖhy³ K‡ib| PZz_©Z, Zviv cÖavYZ Kvby‡bi HwZwn¨K avibvi †fZ‡iB KvR K‡ib GB wfwËg~‡j †h, AwaKZi `y‡e©va¨ †UK÷ m¤ú‡K© iPbv K`vwPr GKwU Kvh©Ki ivR‰bwZK ga¨¯’Zv MVb K‡i| mvs¯‹…wZK e¯‘ev` ¸i“Z¡c~Y G Kvi‡Y †h, GwU bqv evg weªwUk gvK©mev` †_‡K DrmvwiZ MwZ‡K RvqMv w`‡q‡Q Ges DcwiKvVv‡gvi Av`wk©K mgv‡jvPbvq g‡bv‡hvM w`‡q‡Q| welqwU GB gvÎvq DËi-gvK©mev`x †h, Zv Zvi cÖ‡f‡`i ivRbxwZ‡Z Avi †Kv‡bvg‡ZB †kªYx‡K AMÖvwaKvi †`q bv| AmsL¨ gvK©mev`x wbðqZvi aviYv‡K P¨v‡jÄ Kievi R‡b¨ bvixev`, DËi-Jcwb‡ewkKZvev`, ˆjw½K cVb cÖf…wZ cÖc `„k¨c‡U Avwef©~Z n‡q‡Q|8
wbD wn÷wiwmRg I KvjPvivj g¨v‡UwiqvwjR‡gi cÖK…wZ, cÖZ¨q Ges Kvh©cÖYvjx ch©v‡jvPbv K‡i wbtm‡›`‡n G K_vi cÖwZaŸwb Kiv †h‡Z cv‡i †h, AvaywbK mgv‡jvPbvi Ab¨Zg ¸i“Z¡c~Y© Ges Av‡e`bgq Av‡›`vjb n‡jv wbD wn÷wiwmRg Ges KvjPvivj g¨v‡UwiqvwjRg|9

D‡j­LcwÄ:

1.     Peck, John Coyle, Martin. Literary Terms and Criticism Second edition. Macmillan Press Ltd., 1993, c„-182
2.     cÖv¸³, c„-183
3.     Cuddon J. A. The Penguin Dictionary of Literary Terms and Literary Theory Third edition. USA: Penguin Books, 1992, c„-584
4.     Barry, Peter. Beginning Theory, An Introduction to Literary and Cultural Theory. N.Y: Manchester University Press, First Published 1995, c„-172
5.     cÖv¸ß c„-179
6.     Peck, John Coyle, Martin. Literary Terms and Criticism Second edition. Macmillan Press Ltd., 1993, c„-183
7.     Wilson, Scott. Cultural Materialiasm. Oxford: Blackwell Publishers Ltd., 1995, c„.3
8.     cÖv¸³, c„.- ix
9.     Kieranan, Pyran. (ed.) New Historicism and Cultural Materialism: A Reader, Great Britain: Arnold, 1996.
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